But he needs to easy up on the praise for movies that are panned rightly so. “The film’s editing lacks snap, making clear the demarcation between when “cut” and “action” were yelled. Sometimes Murphy will have an emotion in one shot that will totally disappear in another, undermining the dialogue’s give-and-go rhythm” NYT review of Beverly Hills Cop: Axle F. And now “ Bad Sisters”: Hearing about all the work for a just an OK series was a struggle cause.

Love this show and Patrick tuck was really interesting on the show

The host has actually admitted (to the film’s editor!) he watched a German film with English overdubs. God forbid you listen in German and read the subtitles. What a slap in the face. You should be ashamed of yourself. The directors all hate the English overdubs and do what they can to stop it. Just another dumb American who’s never seen more than a handful of foreign films. Would you watch 8 1/2 with English actors overdubbing??

This podcast is so entertaining, so insightful, and just so darn fun. I spend almost as many hours on the road as I do at work. And Matt's brilliant questions spark such great nuggets of conversation from a lot of the fellow editors that I admire and look up to. What a treat this program is, and thank you Matt for bringing this to all of us. AVID rocks and so does this show. Keep the goods coming!

Really enjoying Matt's deep dive into the art of working as a professional editor. I always learn something new.

These interviews are so valuable. I learn stuff every time. Love the energy and entertainment combined with the technical and artistic conversations.